Cuneiform Press
~ New York
(Kyle Schlesinger)

 
   
Broadsides by Cuneiform Press  
   
I HAVE IMAGINED A CENTER // WILDER THAN THIS REGION:

A TRIBUTE TO SUSAN HOWE
Edited by Sarah Campbell
Buffalo, New York: Cuneiform Press, 2007. Edition of 250.

23 x 13 cm; 120 pages. Designed and typeset in Quadraat by Kyle Schlesinger.

Cuneiform Press: "With the intent of marking and celebrating Howe's years of teaching, the contributors to this volume were asked specifically to comment on her pedagogy and their experience of being her student at the State University of New York at Buffalo where she taught from 1988-2007.

"Contributors include: Nathan Austin, Sarah Campbell, Barbara Cole, Richard Deming, Thom Donovan, Logan Esdale, Zack Finch, Graham Foust, Benjamin Friedlander, Peter Gizzi, Jena Osman, Kyle Schlesinger, Jonathan Skinner, Juliana Spahr, Sasha Steensen, and Elizabeth Willis. Edited by Sarah Campbell with an introduction by Neil Schmitz."
$10

   
   

LINGOS VI
By Ulf Stolterfoht
translated from German by Rosemarie Waldrop
Buffalo, New York: Cuneiform Press, 2007. Edition of 250.

21 x 14 cm; 20 pages. Set in Quadraat. Printed offset in two colors on Mohawk Ultrawhite Eggshell with Fabriano coverstock printed on a flatbed cylinder proof press from photopolymer plates.

Cuneiform Press: "Ulf Stolterfoht is clearly at the edge of the edge of innovative poetry in Germany today, and Cuneiform is pleased to bring Lingos VI (the poet's first book translated into English by Rosmarie Waldrop) into print. Stolterfoht's witty precision and philosophical punch are what linger in the mind’s inner ear while his terse and demanding lyrics reconfigure the limits of our language—the limits of our world.

"Ulf Stolterfoht was born 1963 in Stuttgart and now lives in Berlin with his wife and three children. He has published 3 books of poems, all called Fachsprachen [technical terms, jargons, lingos]: Fachsprachen I-IX (1998), Fachsprachen X-XVIII (2002), for which he received the Hans-Erich-Nossack-Förderpreis and the Christine Lavant-Preis respectively, and most recently Fachsprachen XIX-XXVII (2004), which received the Anna-Seghers-Prize in 2005. Rosmarie Waldrop’s translation of Lingos I-IX will be published by Burning Deck in fall 2007."
$10


   
   

SUDDEN ADDRESS:
SELECTED LECTURES 1981-2006

By Bill Berkson
Buffalo, New York: 2007. Trade edition of 500.

23 x 15.5 cm; 114 pages. Set in Scala. Illustrated wraps. Designed by Kyle Schlesinger.

Cuneiform Press: "In this stunning collection of lectures spanning twenty-five years, Berkson addresses subjects as various as Walt Whitman, Frank O'Hara, Philip Guston, Dante, and the sublime.

"Bill Berkson has worked as a poet, critic, editor and publisher, teacher, and curator for over half a century. His recent books of poems include Fugue State, Gloria (with etchings by Alex Katz), Hymns of St. Bridget (with Frank O’Hara), and Our Friends Will Pass Among You Silently. Other recent publications include a selection of criticism, The Sweet Singer of Modernism & Other Art Writings, and an epistolary collaboration with Bernadette Mayer, What’s Your Idea of a Good Time: Letters & Interviews 1977-1985. He lives in New York and San Francisco and has taught at the San Francisco Art Institute since 1984. He is a corresponding editor for Art in America and was Paul Mellon Fellow for 2006 at the Skowhegan School of Painting and Sculpture."
$10 Paperback trade edition
$50 Hardcover edition, signed

 

   
   

Two Wrongs
By y Ted Greenwald and Hal Saulson
Buffalo, New York: 2007. Paperback edition of 250.

7 x 10"; 60 pages. Typeset and designed by Kyle Schlesinger. Dimensions of the images true to the original works of art. Fonts (Palatino and Michelangelo) designed by Hermann Zapf. Gray metallic covers printed letterpress. Images and text printed offset. Handsewn in two signatures with the assistance of Michael Cross, Richard Owens, and Andrew Rippeon. Also available in two other formats: hardcover edition of 20 printed on pure cotton rag paper in full colour; and, deluxe hardcover edition of 10 housed in a slipcase with a small book handwritten by the author on the index cards that he uses to compose his poems.

Cuneiform Press: "In the work of Ted Greenwald, tradition is never more than an extension of innovation, history never more than an engagement with the present, the commonplace never more than an extension of the extraordinary.

"Building on New York's remarkable history of painter and poet collaborations, this striking art and text project features nearly thirty paintings and poems by two seasoned artists. Because his work always involves linguistic and formal invention, Ted Greenwald has often been associated with the Language Writers, but he is unmistakably a New York poet and even, given his street-wise sensibility and his long association with visual art and artists, a New York School poet."
$20 paperback edition
$300 deluxe edition

   
   
   
   

Collaboration work:
Mantle

By Kyle Schlesinger and Thom Donovan
Atticus Finch, 2005.

6 x 9", 52 pages. Design by Michael Cross.

Number 5 in the Atticus / Finch Chapbook series.

Kyle Schlesinger is a poet, scholar, book artist and proprietor of Cuneiform Press. Thom Donovan is a poet and scholar.
$25

 

   
   

Dure
By Craig Dworkin
2004. Edition of 200.

23 x 13 cm, 52 pages. Typeface is Dyrynk, designed in 1929 by the Czech book artist Karel Dyrynk, & first issued in digital form by Richard Kegler of the P22 Type Foundry. Printed offset with full page spreads, black endpapers and perfect-bound.

This is the first publication in Cuneiform's new trade edition series.
$10



   
   

Meditatio: the printer printed: manifesto
By Alan Loney
Introduction by Steve Clay of Granary Books
2004. Edition of 200.

22 x 14 cm, 50 pages. Printed offset and perfect bound.

Penny Griffith (poetry reviewer and editor): "Alan Loney — poet, writer and hand printer — is a fine communicator and a superb craftsman who has found fulfillment since moving to Australia from New Zealand in 2001. Fortunately, Alan has reconsidered his earlier decision to no longer create hand-printed works, and this thoughtful essay asks many questions about what is involved in being committed to the ‘old technology.' Meditatio is a graceful reconsideration of the role of typography in relation to art, the reader, and the world of the book and reading."
$10

   
   

Scratch Space
By Andrew Levy
2004. Edition of 100.

22 x 18 cm, 16 pages. The cover was printed on a Vandercook 4 in 24 pt. Palatino and silk-screened onto Fabriano cover-stock, while the text is set in 12 pt. Palatino and printed using electrostatic reproductive technology on heavy off-white paper. Pamphlet-sewn.

Scratch Space was printed and published on the occasion of Andrew Levy’s reading in Buffalo, New York on 21 April, 2004 in the Wednesday @ 4 Plus Series. Copies were distributed for free at the reading.

Levy is the editor with Bob Harrison of the arts & poetry journal, Crayon. He lives in New York City and works as outreach & education consultant for the Columbia University Nanocenter.
$10

   

Woundwood
By Ron Silliman
2004. Edition of 250.

19 x 12 cm, 16 pages. Softcover. The text is set in Perpetua, and printed offset on 100% cotton sheets. Fabriano dust-jacket with wrap-around image (each one a little different), handsewn into a sturdy black cover with double end-papers (also from Italy).

Cuneiform Press is pleased to present "Woundwood" Ron Silliman's 25th book. This is the first publication from the press to utilize a combination of offset, photopolymer plates and handset type.
$15

 

   
   

Outlining
By David Pavelich
2003. Edition of 100.

15.5 x 10.5 cm, 16 pages. Printed in copper, red, purple, violet, black and blue inks and pamphlet-sewn. Printed letterpress in 12 pt. Chancery Light on handmade Zerkall Ingress paper. Cover paper bright yellow Ingress from the Fabriano Mills of Italy.

David Pavelich's first chapbook.

Of his poetry, Laura Sims, Contributing Editor Chicagopostmodernpoetry.com says: "Written in spare lines, it moves fluidly through the minutiae of the everyday world to question, 'quietly fight,' and attempt to map the self’s composition and place in the world. Dave’s joy in and attention to language are equally intense; the exactness of his phrases adds to the scope of his imaginative and emotional wanderings."
$10

   
   
Cuneiformpress Out of Print Title:
• A Book of Closings
• from now
 
   

Page last update: 06.03.08

 

   
  
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